From the recording DANCING WITH THE MUSES

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Diana Guber’s “Dancing with the Muses” alludes to Louis Janmot’s oil paintings produced in 1835-1855 as a series “Le Poème de l’âme” (“The Poem of the Soul”), all of which featured at the Universal Exposition of 1855 in Paris. Louis Janmot (1814–1892) was also a refined poet, and the series is accompanied by an epic poem of almost three thousand lines. The cycle of eighteen paintings tells the story of the early years of the Soul on Earth, in which the Soul is presented in the image of a man who is given a female companion. A person of a deep Catholic faith, Janmot composed both the paintings and the poem in accordance with his religious beliefs.

The oil paintings of “Le Poème de l’âme” reveal the mystic journey of a child growing into a man and his relationship with his dual Soul, portrayed as a female. Together, they appear to be brother and sister, at times even lovers, wandering the Earth and journeying through the skies, striving to achieve the ideals of life, both earthly and spiritual. Once in the forest, the couple falls asleep, having a dream of nine angels ascending and descending a staircase, leading to heaven. In this perpetual cycle, each of the Muses, graceful and alluring, carries her own particular symbol of the arts. On an early autumn day, the pair joins other young people in a dance, signifying the passage of time and the rites of early adulthood. When a boy reaches manhood, his “sister Soul” intends to depart and return to heaven. For the last time, they fly over high mountains, and the young man trembles with joy and yet quivers from an intense wave of fear. She tells him that he cannot follow her, pulls back the veil of clouds separating them from heaven, and disappears forever, leaving the young man alone on Earth.

The deep longing of the human Soul is to find home, even without clear understanding where home is—possibly in the higher realms, where the Muses freely roam, delighting the gods, inspiring humans with their dances, poems, and songs, and encouraging artists to reach greater artistic heights. The Soul’s innate calling to bring forth a talent, to move away from ordinary human existence and fulfill the Divine here on Earth is central to understanding “Dancing with the Muses.”—Diana Guber, “Dancing With the Muses,” 2020. Copyright© 2020. All Rights Reserved. 🎶 🎶 🎶

Lyrics

DANCING WITH THE MUSES
Lyrics by Diana Guber

In Gilded Cages, You Hold My Soul Captive
The Voice Within Is Silenced And Stilled
High Visions [‘re] Stifled by Fear Disruptive
An Inner Light’s Been Gravely Dimmed
Every Time My Own Castles I Build

As I’ve Risen an Octave Higher
Where Cages Don’t Exist
Now I See —Fear is a Liar
Shrouded in the Deceptive Mist

Noli Me Tangere, I’m Not Truly Yours
[I’m] Dancing With The Muses
Forgetting All Scares And Bruises
Lost in the Rhythm of the Universe

Noli Me Tangere, To You I Don’t Belong
[I] Promised Myself Long Ago
To Keep My Soul Aglow
Living Life as a Ballad, Poem, and Song
Noli Me Tangere

As I’ve Risen an Octave Higher
Where Cages Don’t Exist
Now I See —Fear is a Liar
Shrouded in the Deceptive Mist


Noli Me Tangere, I’m Not Truly Yours
[I’m] Dancing With The Muses
Forgetting All Scares And Bruises
Lost in the Rhythm of the Universe

Noli Me Tangere, To You I Don’t Belong
[I] Promised Myself Long Ago
To Keep My Soul Aglow
Living Life as a Ballad, Poem, and Song
Noli Me Tangere



You Can’t Find Me in the World You Know
I’m Where Thunderclouds Form
And Do Not Grieve
What Should’ve Been

There is Always A Rainbow
At the End of the Dark Storm
Alas, Even Though
It May Never Be Seen
If Only In Your Dream

Noli Me Tangere, I’m Not Truly Yours
[I’m] Dancing With The Muses
Forgetting All Scares And Bruises
Lost in the Rhythm of the Universe

Noli Me Tangere, To You I Don’t Belong
[I] Promised Myself Long Ago
To Keep My Soul Aglow
Living Life as a Ballad, Poem, and Song
Noli Me Tangere

C’est Fini